Columns
Spring Breakers, Brostep, and the Maximalist Party Mindset
In Reality Blues, Meaghan Garvey tries to find out what is real, song by song. This week, a new wubby Skrillex album is a Proustian reverie for the candy-colored era of dubstep through the lens of two movies: Harmony Korine’s Spring Breakers and Max Joseph’s We Are Your Friends.
By Meaghan Garvey
Remember Jane Remover’s Mashup Genre Dariacore? It’s Blowing Up in Japan Now
By Kieran Press-Reynolds
How Aya Made Hexed!, One of the Best, Most Unhinged Albums of the Year
By Meaghan GarveyPhotography by Roxy Lee
An Interview With SahBabii, Who Is Having a Moment
By Alphonse PierrePhotography by Devlin Claro
Meet the Composers of the Survivor Soundtrack—And the Fans Recreating It Online
By Kieran Press-Reynolds
Chasing Yabujin, the Artist Who Secretly Shaped the Underground Sound of the 2020s
By Kieran Press-Reynolds
Who Should Be Nominated at the 2025 Grammy Awards
By Madison Bloom, Nina Corcoran, and Matthew Strauss
Pitchfork’s Guide to Primavera Sound Barcelona 2024
By Anna Gaca, Jeremy D. Larson, Jazz Monroe, Philip Sherburne, and Matthew Strauss