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Yaya Bey Comes Back Around

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Drake and Kendrick’s Beef Is the Most Miserable Spectacle in Rap History

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Listen to Pablo Skywalkin’s “Why You Kiss”: The Ones

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Listen to Cuzzos’ “Pop Out”: The Ones

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Listen to Cristal Cozart’s “Burntup;)”: The Ones

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8 Takeaways From Taylor Swift’s New Album The Tortured Poets Department

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A Power Ranking of Everyone in the Drake–Kendrick Lamar–Every Rapper Ever Battle Royale

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Listen to Nino Paid’s “Black Ball”: The Ones

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J.P.’s Milwaukee Lowend Anthem “Bad Bitty” Is the Catchiest Song Anywhere Right Now

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Listen to Baby Fifty’s “Stop Barrin on the Men”: The Ones

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7 Takeaways From Beyoncé’s New Album Cowboy Carter

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Listen to TyBass & Lsdvas’ “Anguilla (Remix)”: The Ones

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“Latin Club” May Be Controversial, But It’s Thriving

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Lazer Dim 700 Is Atlanta’s Most Chaotic, and Fun, New Rapper

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Listen to Nay Benz’s “Jail Freestyle”: The Ones

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Philly Rapper Ot7Quanny Brings His Internet Mystique to Real Life

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5 Takeaways From Ariana Grande’s New Album Eternal Sunshine

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Listen to Balenci02’s “Trending”: The Ones

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Listen to Anysia Kym’s “#71 (Again and Again)”: The Ones

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A Very Loud Afternoon at Guitar Center With Mdou Moctar

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Zachary Pace’s New Book Offers a New Way to Look at Queer Music

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Listen to Cash Cobain & Bay Swag’s “Fisherrr”: The Ones

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Listen to Tonn2Lit’s “Trappa of the Year”: The Ones

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Vince Staples Turns Rap Stardom Anxieties Into Comedy on The Vince Staples Show

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Listen to Mari Montana’s “My Lil Shit (Pt.2)”: The Ones

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Listen to Laila!’s “Soft Serve”: The Ones

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Usher Stands Alone Amid the Bombast of the Super Bowl: Review

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Listen to Baby Osama’s “Free Max B”: The Ones

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Listen to Smokingskul’s “Opp Click”: The Ones

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The 16 Best and Worst Moments of the 2024 Grammys

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Meet Frank Dorrey, the Rapper and Visual Artist Putting a Surreal Twist on Everyday Life

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Listen to Lazer Dim 700’s “Sabatahj”: The Ones

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Grammys 2024 Predictions: Who Will Win and Who Should Win?

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Listen to Lonni Monae’s “Tighten Up Freestyle”: The Ones

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Listen to BossMan Dlow’s “Kreepin Through the Streetz” Freestyle: The Ones

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Listen to Kim Gordon’s “Bye Bye”: The Ones

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Listen to Zeffy Lee’s “On the Radar Freestyle”: The Ones

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Lil Mabu and Fivio Foreign’s “Teach Me How to Drill” Is Viral Rap at Its Most Shameless

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Meet Arranger Rob Moose, the Violinist Pulling the Strings in Indie Rock and Pop

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Listen to RRB Duck’s “Uber Eats”: The Ones

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Listen to LORDY’s “40 Dayz and 40 Nights”: The Ones

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Listen to 1Up Tee’s “Lose Lose”: The Ones

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Mustafa’s Benefit Concert for Gaza and Sudan Provided Solemn Solidarity Amid Ongoing Global Crises

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Listen to Monday Night’s “Chillz”: The Ones

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Listen to Nino Paid’s “My Turn”: The Ones

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Listen to Glorygirl2950’s “Dior Skirt”: The Ones

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Listen to Skrilla’s “GD”: The Ones

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The Best Music Video Choreography of 2023

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Hardcore Expanded Its Boundaries in 2023—and the Scene Embraced It

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Pitchfork Rap Columnist Alphonse Pierre’s Favorite Records of 2023

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The Best Indie Game Scores of 2023

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Live Music’s Race to Find the Biggest Screen

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Listen to Tommy Chronic’s “Hootology” [ft. Al.Divino, BoriRock, and Shaykh Hanif]: The Ones

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Listen to L5’s “Momma We Made It”: The Ones

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Beyoncé’s Renaissance Film Shows One of Pop’s Most Private Stars at Work

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The Best DJ Mixes of 2023

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Listen to HavinMotion’s “Nobody Know”: The Ones

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Listen to Harto Falión’s “1dooropens, 1doorcloses”: The Ones

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This Great New Book Chronicles the Indie Blog Era Across Latin America and Its Diaspora

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Listen to Dav1d’s “Log1c”: The Ones

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It’s Hard Not to Fall for KP Skywalka’s Hustler Love Anthems

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Starstruck, Skins, We Are Your Friends: Meet Segal, the Best Kept Secret in TV and Film Scoring

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Listen to Brock’s “These Chicks Freestyle”: The Ones

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Listen to Gabe ’Nandez’s “Origami”: The Ones

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Listen to MarijuanaXO and Joe Pablo’s “Screenshots”: The Ones

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10 Takeaways From the 2024 Grammy Nominations

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Marnie Stern Still Shreds

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Death Metal Rebels Tomb Mold Choose the Path of Most Resistance

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Listen to Juggrxch Bammo and NateDawg’s “Top Demon”: The Ones

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Sofia Coppola’s Priscilla Can’t Escape Elvis’ Looming Shadow

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Listen to Nef the Pharaoh’s “Furley Goat” [ft. LaRussell]: The Ones

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Croaking Frogs, Buzzing Hornets, Squealing Dolphins: A Guide to Smithsonian Folkways’ Best Science and Nature Recordings

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Listen to Ill Kalil’s “Faith”: The Ones

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Regional Rap Classics Are Slowly Disappearing From the Internet

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Listen to Myaap’s “Getting To It”: The Ones

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Why the Beatles’ Last Song Couldn’t Have Existed Until Now

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The Return of Anti-Matter, ’90s Hardcore’s Most Influential (and Emotional) Zine

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Meet the Argentine Taylor Swift Fans Who Have Been Camping Out for the Eras Tour Since June

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Listen to Mama Million’s “On the Radar Freestyle”: The Ones

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Listen to Chino Pacas’ “Como Pancho Villa”: The Ones

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Low-Key Indie Rocker MJ Lenderman Wants to Tell a Bigger Story

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Listen to YT’s “The One (Just Got My Degree)”: The Ones

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Listen to SheedTs & G Herbo’s “Remember”: The Ones

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Thurston Moore’s Memoir Gets Lost in a Punk Neverland

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Aphex Twin’s 7 Best Video Game Samples

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Listen to Oodaredevil’s “Off Me”: The Ones

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How Ali Sethi Went From Making One of the Biggest Songs on Earth to a Collaborative Album With Nicolás Jaar

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Get Lost in Outrageously Prolific Rapper-Producer GAWD’s Mind-Bending Musical Universe

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Ryuichi Sakamoto’s Son on Directing His Father’s Final Concert Film, Opus

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Listen to Firebatch’s “Cuban Link”: The Ones

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Madonna’s Celebration Tour Is More Than Just Another Greatest Hits Show

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Listen to Anycia and Karrahbooo’s “Splash Brothers”: The Ones

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Is Bandcamp as We Know It Over?

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Listen to Lil Tony’s “Canoozled”: The Ones

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Review: The Secondhand Thrills of Taylor Swift’s Eras Tour Concert Movie

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The Unlikely Story of Toto’s Soundtrack for David Lynch’s Infamous Dune Adaptation